The first decade of my career mainly focused on the ways in which China (and a variety of correlates each working to undermine the geographic, cultural, or political singularity of the word “China”) have affected the intellectual, literary, and cultural history of the West (similarly undermined). My first book, Chinese Dreams (Michigan, 2004), centers on the politics of translation and theatrical representation, attending to examples in English, German, and French. My second book, The Hypothetical Mandarin: Sympathy, Modernity, and Chinese Pain (Oxford, 2009) ties the “invention” of the universal subject of a globalizing modernity to a series of legal, literary, sociological, medical, and photographic relations to Chinese suffering (here the national sites are England, the US, France, Austria and, though briefly, China itself). In some sense the trajectory of these two projects can be mapped as an expansion of my interests from “modernism” to “modernity.” (Chinese discussion of the translaton by Yuan Jian , with an interview with me, is here.)
My third book, On Literary Worlds (Oxford, 2012) retheorized the literary history of the past four hundred years (more or less!) by developing new ways of thinking about literary worldedness and its historical function. A video of a talk on the third chapter of the book, which criticizes the ways universities institutionalize literary history, appears here; LARB review here; interview with Carla Nappi here; Pittsburgh Q&A here.
My latest book, The Elements of Academic Style: Writing for the Humanities, came out from Columbia University Press in the summer of 2014. The book is a guide to the psychology, ethos, and practice of writing literary scholarship today. In 2016 Rebecca Walkowitz and I published the co-edited collection, A New Vocabulary for Global Modernism, also from Columbia.
I also edit a book series for Oxford, “Global Asias,” and have served as President of the American Comparative Literature Association (2013-14). I’m working on an edited collection of essays with Rebecca Walkowitz; tentative title, A New Vocabulary for Global Modernism. I was a founding editor of the journal Verge: Studies in Global Asias (published by University of Minnesota Press), whose first issue appeared in 2015.
I’m working on a new book, probably called either A Critique of Humanist Reason or just Humanist Reason, which I’ll finish in summer 2019. After that I’d like to write a short, semi-popular book about video games, to be finished ideally in 2021.
In my spare time I do a lot of cycling; in April-May 2013, I rode from Irvine, California to Springfield, Illinois (about 2200 miles in 19 days). I’m divorced, re-married, happy, and have two amazing kids who were 9 and 7 in early 2018.
I have published essays on contemporary fiction and poetry, often but not always considering texts involving Asia and the United States, and have written on (and co-edited a journal issue about) virtual worlds and online games. I have contributed on and off to Printculture since its founding in 2005.
At Penn State, my classes range from first-year seminars on the process of literary reading to graduate courses on globalization and diaspora; I also have taught or plan to teach courses on comparative modernisms, the history of modernity, poetry and poetics, Asian American studies, Marx, the history of the novel, and video games; I’ve also taught at the University of Heidelberg, Princeton, UCLA, the University of Arizona, the University of Pennsylvania, and the University of Northern Iowa. From 2008-2012 I directed Penn State’s program in Asian Studies. I’m currently the director of Penn State’s Center for Humanities and Information, a job I’ve had since 2014.